Pablito el Drito
After having organized concerts, set up stages and worked as a sound technician in the underground scene in Milan in the early nineties, I started being interested in electronic music as a dj first (since 1996) and then as a live setter (since 2003).
I worked in art galleries and festivals in Italy Germany and France: MiArt, GreenArtFestival, Limited, XLab, White Rabbit, Museo di Fotografia Contemporanea, Studio Pomezia Uno, Art Kitchen, Spazio Concept, Cripta 747, 6b, le Cyclop, Fondazione Pistoletto, Emilia ruvida, Ono arte contemporanea, Macao, Milano Film Festival and in underground publishing with Agenzia X, Shake Edizioni underground, Drago, Milano X.
I published 5 lp: BIT BUBBLES, BACKROOM INDUSTRY, SMOGVILLE, LITTLE COMPUTER DISCO, NERDCORE.
Lately I played with Cdatakill (USA), V-Atak crew (FR), Yann Keller (DE), Core Ogg (USA), 8GB (ARG), Hekate (UK), Otolab (ITA), Bubblyfish (USA), Anna Bolena (DE), B.S.K. (JAP), Fire at work (ITA), Drama Nui (DE), Memory9 (ITA), Chrono Triggers (FR), Zu (ITA), Ovo (ITA), Vessel (ITA), D’Arcangelo (ITA), Shitmat (UK), Fall out boy (DE), Nemeton (USA), Seppuku (USA), Kleopatra J (UK), Luke Vibert (UK), Chistoph Fringeli (DE), Mat64 (ITA), Aonami (JAP), Freddy K (ITA), Matt Green (UK), Davich (ITA), Freakatronic (DE), Dave Monolith (UK), Jiku55 (JAP), DjBalli (ITA), Francesco Zappalà (ITA), Okapi (ITA), Uochi toki (ITA), Eell Shous (ITA), Ben Pest (UK), The Squire Of Gothos (UK).
I’m founder of Rexistenz records (www.rexistenz.org). I write music reviews for MilanoX (www.milanox.eu) and Frequencies (www.frequencies.it).
RXSTNZ. Independent music label. Pre Holocaustic Post Electronics.